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Volume [1]
(1830) | Comic Annual, 1 (1830), facing 14.
 Fancy Portrait:
Galileo
Galilei, Galileo
(1564–1642)
DSB
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View the register entry >> T H, pseud.
[Thomas Hood]
Hood, Thomas
(1799–1845)
ODNB
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View the register entry >> Genre: | Illustration, Drollery | Relevant illustrations: | wdct. | Illustrators: | T H, pseud.
[Thomas Hood]
Hood, Thomas
(1799–1845)
ODNB
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View the register entry >> | Subjects: | Astronomy, Instruments |
Depicts a rear-view of a man gazing at the sky from a balcony. He is dressed
in a long robe and a turban, from underneath which a pair of telescopes
protrude; the turban and telescopes together resemble a snail with protuberant
antennae.
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Comic Annual, 1 (1830), 63–64.
 A Greenwich Pensioner [Thomas Hood]
Hood, Thomas
(1799–1845)
ODNB
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View the register entry >> Genre: | Paper, Spoof | Subjects: | Natural History |
Describes the 'Greenwich Pensioner' as if he were a natural history
specimen: 'a sort of stranded marine animal, that the receding tide of life has
left high and dry on the shore' (63).
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Comic Annual, 1 (1830), 107–10.
 Conveyancing [Thomas Hood]
Hood, Thomas
(1799–1845)
ODNB
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View the register entry >> Genre: | Poetry, Drollery | Subjects: | Steam-power, Transport, Political Economy, Crime |
Refers to the dangers of travelling 'upon a Gurney [i.e. a steam carriage
invented by
Goldsworthy
Gurney
Gurney, Sir Goldsworthy
(1793–1875)
ODNB
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View the register entry >>]'. Relates that
Thomas R
Malthus
Malthus, Thomas Robert
(1766–1834)
DSB
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View the register entry >> swears the world 'always bears above the proper number'
(109). Suggests that, while conveyancing law is used to transfer larger pieces
of property, thieves can be relied upon to convey 'lighter things, watch,
brooches, rings' (110).
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Comic Annual, 1 (1830), 111–12.
 A Good Direction [Thomas Hood]
Hood, Thomas
(1799–1845)
ODNB
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View the register entry >> Genre: | Poetry, Drollery | Subjects: | Medical Practitioners, Nutrition, Authorship, Medical Treatment,
Alchemy |
Refers to a fictional 'surgeon of great note—named Aberfeldie. / A
very famous Author upon Diet, / Who, better starr'd than Alchemists of old, /
By dint of turning mercury into gold, / Had settled at his country-house in
quiet' (111).
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Comic Annual, 1 (1830), 122–27.
 Ode to the Advocates for the Removal of Smithfield Market [Thomas Hood]
Hood, Thomas
(1799–1845)
ODNB
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View the register entry >> Genre: | Poetry, Drollery | Relevant illustrations: | wdct. | Illustrators: | T H, pseud.
[Thomas Hood]
Cruikshank, George
(1792–1878)
ODNB
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View the register entry >> | Subjects: | Zoology, Ornithology, Vaccination, Chemistry |
Applauds those 'PHILANTHROPIC men' who aim at removing to a
distance the 'vile Zoology' of
Smithfield
Market
Smithfield Market
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View the register entry >>, and 'routing that great nest of Hornithology' (122). The
illustration captioned 'Iö—after vaccination' (facing 123) depicts a
recumbent cow with long flowing locks (in Greek mythology, Iö was turned
into a white heifer by Zeus to protect her from the wrath of Hera). Invites the
reader to imagine being pinned to the wall by an 'Ox infuriate [...] / Giving
you a strong dose of Oxy-Muriate [i.e. chlorine]' (124).
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Comic Annual, 1 (1830), 147–54.
 The Sorrows of an Undertaker [Thomas Hood]
Hood, Thomas
(1799–1845)
ODNB
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View the register entry >> Genre: | Reminiscences, Spoof | Subjects: | Natural History |
The narrator refers to having, as an undertaker, 'obtained a contract for
Parochial Conchology—or shells for the paupers' (149).
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Comic Annual, 1 (1830), 155–60.
 Ode to
Madame Hengler
Hengler, Sarah
(c. 1765–1845)
ODNB
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View the register entry >>,
Firework-Maker to
Vauxhall
Royal Gardens, Vauxhall
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View the register entry >> [Thomas Hood]
Hood, Thomas
(1799–1845)
ODNB
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View the register entry >> Genre: | Poetry, Drollery | Subjects: | Astronomy, Superstition, Gender, Education, Chemistry,
Observatories |
Celebrates the pyrotechnic achievements of Madame Hengler. While in 'olden
time' such apparently astronomical displays may have evoked superstitous fear,
they do so no longer (156–57). Speculates on how her education might have
fitted her for her occupation (157–58). Her displays cause 'hoax'd
Astronomers' to 'look up and stare / From tall observatories, dumb and dizzy, /
to see a Squib in Cassiopeia's Chair!' (158–59).
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