Depicts a rear-view of a man gazing at the sky from a balcony. He is dressed
in a long robe and a turban, from underneath which a pair of telescopes
protrude; the turban and telescopes together resemble a snail with protuberant
antennae.
The narrator reflects that 'as for an occasional drill', he could 'make
shift, like
LavaterLavater, Johann Kaspar
(1741–1801)
CBD CloseView the register entry >>, to
right-about-face' (21).
Comic Annual, 1 (1830), 23–26.
A letter from a Market Gardener to the Secretary of the Horticultural
Society
Describes the 'Greenwich Pensioner' as if he were a natural history
specimen: 'a sort of stranded marine animal, that the receding tide of life has
left high and dry on the shore' (63).
Refers to the dangers of travelling 'upon a Gurney [i.e. a steam carriage
invented by
Goldsworthy
GurneyGurney, Sir Goldsworthy
(1793–1875)
ODNB CloseView the register entry >>]'. Relates that
Thomas R
MalthusMalthus, Thomas Robert
(1766–1834)
DSB CloseView the register entry >> swears the world 'always bears above the proper number'
(109). Suggests that, while conveyancing law is used to transfer larger pieces
of property, thieves can be relied upon to convey 'lighter things, watch,
brooches, rings' (110).
Medical Practitioners, Nutrition, Authorship, Medical Treatment,
Alchemy
Refers to a fictional 'surgeon of great note—named Aberfeldie. / A
very famous Author upon Diet, / Who, better starr'd than Alchemists of old, /
By dint of turning mercury into gold, / Had settled at his country-house in
quiet' (111).
Comic Annual, 1 (1830), 122–27.
Ode to the Advocates for the Removal of Smithfield Market
Applauds those 'PHILANTHROPIC men' who aim at removing to a
distance the 'vile Zoology' of
Smithfield
MarketSmithfield Market
CloseView the register entry >>, and 'routing that great nest of Hornithology' (122). The
illustration captioned 'Iö—after vaccination' (facing 123) depicts a
recumbent cow with long flowing locks (in Greek mythology, Iö was turned
into a white heifer by Zeus to protect her from the wrath of Hera). Invites the
reader to imagine being pinned to the wall by an 'Ox infuriate [...] / Giving
you a strong dose of Oxy-Muriate [i.e. chlorine]' (124).
Celebrates the pyrotechnic achievements of Madame Hengler. While in 'olden
time' such apparently astronomical displays may have evoked superstitous fear,
they do so no longer (156–57). Speculates on how her education might have
fitted her for her occupation (157–58). Her displays cause 'hoax'd
Astronomers' to 'look up and stare / From tall observatories, dumb and dizzy, /
to see a Squib in Cassiopeia's Chair!' (158–59).
The illustration captioned 'Soap-orifics and Sud-orifics' (facing 161)
depicts a large washerwoman labouring over a tub of washing surrounded by
clouds of steam.