Mirror of Literature,  12 (1828), 107–08.

Portrait Painting

Anon

Genre:

Miscellaneous

Subjects:

Microscopy


    Denies that exact resemblance is the measure of quality in a portrait. The painter should not contemplate his subject 'through a powerful microscope, and transfer to the canvass the pores of the skin, the blood-vessels of the eye, and all the other beauties which Gulliver discovered in the Brobdignagian maids of honour'. Moreover, if he did, 'a microscope of greater power than that which he had employed, would convict him of innumerable omissions'. (108)



© Science in the Nineteenth-Century Periodical Project, Universities of Leeds and Sheffield, 2005 - 2020

Printed from Science in the Nineteenth-Century Periodical: An Electronic Index, v. 4.0, The Digital Humanities Institute <http://www.sciper.org> [accessed ]